DCA Arts and Cultural Calendar

March 2021
Sula Bermudez – Silverman: Neither Fish, Flesh, nor Fowl
The exhibit presents the artists’ personal and familial histories as a woman of Afro-Puerto Rican and Jewish descent, transforming genetic data into colorful pie charts that call to mind hard-edged abstractions. Elsewhere, she embroiders vintage doilies with her own hair to depict the human body, as well as language that references the legacy of colorism and passing in the African diaspora. In the works debuting at CAAM, she addresses early global trade, the beginnings of commodification, and economic hierarchies by…
Sula Bermudez – Silverman: Neither Fish, Flesh, nor Fowl
The exhibit presents the artists’ personal and familial histories as a woman of Afro-Puerto Rican and Jewish descent, transforming genetic data into colorful pie charts that call to mind hard-edged abstractions. Elsewhere, she embroiders vintage doilies with her own hair to depict the human body, as well as language that references the legacy of colorism and passing in the African diaspora. In the works debuting at CAAM, she addresses early global trade, the beginnings of commodification, and economic hierarchies by…
Sula Bermudez – Silverman: Neither Fish, Flesh, nor Fowl
The exhibit presents the artists’ personal and familial histories as a woman of Afro-Puerto Rican and Jewish descent, transforming genetic data into colorful pie charts that call to mind hard-edged abstractions. Elsewhere, she embroiders vintage doilies with her own hair to depict the human body, as well as language that references the legacy of colorism and passing in the African diaspora. In the works debuting at CAAM, she addresses early global trade, the beginnings of commodification, and economic hierarchies by…
Sula Bermudez – Silverman: Neither Fish, Flesh, nor Fowl
The exhibit presents the artists’ personal and familial histories as a woman of Afro-Puerto Rican and Jewish descent, transforming genetic data into colorful pie charts that call to mind hard-edged abstractions. Elsewhere, she embroiders vintage doilies with her own hair to depict the human body, as well as language that references the legacy of colorism and passing in the African diaspora. In the works debuting at CAAM, she addresses early global trade, the beginnings of commodification, and economic hierarchies by…
Sula Bermudez – Silverman: Neither Fish, Flesh, nor Fowl
The exhibit presents the artists’ personal and familial histories as a woman of Afro-Puerto Rican and Jewish descent, transforming genetic data into colorful pie charts that call to mind hard-edged abstractions. Elsewhere, she embroiders vintage doilies with her own hair to depict the human body, as well as language that references the legacy of colorism and passing in the African diaspora. In the works debuting at CAAM, she addresses early global trade, the beginnings of commodification, and economic hierarchies by…
Sula Bermudez – Silverman: Neither Fish, Flesh, nor Fowl
The exhibit presents the artists’ personal and familial histories as a woman of Afro-Puerto Rican and Jewish descent, transforming genetic data into colorful pie charts that call to mind hard-edged abstractions. Elsewhere, she embroiders vintage doilies with her own hair to depict the human body, as well as language that references the legacy of colorism and passing in the African diaspora. In the works debuting at CAAM, she addresses early global trade, the beginnings of commodification, and economic hierarchies by…
Sula Bermudez – Silverman: Neither Fish, Flesh, nor Fowl
The exhibit presents the artists’ personal and familial histories as a woman of Afro-Puerto Rican and Jewish descent, transforming genetic data into colorful pie charts that call to mind hard-edged abstractions. Elsewhere, she embroiders vintage doilies with her own hair to depict the human body, as well as language that references the legacy of colorism and passing in the African diaspora. In the works debuting at CAAM, she addresses early global trade, the beginnings of commodification, and economic hierarchies by…
Sula Bermudez – Silverman: Neither Fish, Flesh, nor Fowl
The exhibit presents the artists’ personal and familial histories as a woman of Afro-Puerto Rican and Jewish descent, transforming genetic data into colorful pie charts that call to mind hard-edged abstractions. Elsewhere, she embroiders vintage doilies with her own hair to depict the human body, as well as language that references the legacy of colorism and passing in the African diaspora. In the works debuting at CAAM, she addresses early global trade, the beginnings of commodification, and economic hierarchies by…
Sula Bermudez – Silverman: Neither Fish, Flesh, nor Fowl
The exhibit presents the artists’ personal and familial histories as a woman of Afro-Puerto Rican and Jewish descent, transforming genetic data into colorful pie charts that call to mind hard-edged abstractions. Elsewhere, she embroiders vintage doilies with her own hair to depict the human body, as well as language that references the legacy of colorism and passing in the African diaspora. In the works debuting at CAAM, she addresses early global trade, the beginnings of commodification, and economic hierarchies by…
Sula Bermudez – Silverman: Neither Fish, Flesh, nor Fowl
The exhibit presents the artists’ personal and familial histories as a woman of Afro-Puerto Rican and Jewish descent, transforming genetic data into colorful pie charts that call to mind hard-edged abstractions. Elsewhere, she embroiders vintage doilies with her own hair to depict the human body, as well as language that references the legacy of colorism and passing in the African diaspora. In the works debuting at CAAM, she addresses early global trade, the beginnings of commodification, and economic hierarchies by…
Sula Bermudez – Silverman: Neither Fish, Flesh, nor Fowl
The exhibit presents the artists’ personal and familial histories as a woman of Afro-Puerto Rican and Jewish descent, transforming genetic data into colorful pie charts that call to mind hard-edged abstractions. Elsewhere, she embroiders vintage doilies with her own hair to depict the human body, as well as language that references the legacy of colorism and passing in the African diaspora. In the works debuting at CAAM, she addresses early global trade, the beginnings of commodification, and economic hierarchies by…
Sula Bermudez – Silverman: Neither Fish, Flesh, nor Fowl
The exhibit presents the artists’ personal and familial histories as a woman of Afro-Puerto Rican and Jewish descent, transforming genetic data into colorful pie charts that call to mind hard-edged abstractions. Elsewhere, she embroiders vintage doilies with her own hair to depict the human body, as well as language that references the legacy of colorism and passing in the African diaspora. In the works debuting at CAAM, she addresses early global trade, the beginnings of commodification, and economic hierarchies by…
Sula Bermudez – Silverman: Neither Fish, Flesh, nor Fowl
The exhibit presents the artists’ personal and familial histories as a woman of Afro-Puerto Rican and Jewish descent, transforming genetic data into colorful pie charts that call to mind hard-edged abstractions. Elsewhere, she embroiders vintage doilies with her own hair to depict the human body, as well as language that references the legacy of colorism and passing in the African diaspora. In the works debuting at CAAM, she addresses early global trade, the beginnings of commodification, and economic hierarchies by…
Sula Bermudez – Silverman: Neither Fish, Flesh, nor Fowl
The exhibit presents the artists’ personal and familial histories as a woman of Afro-Puerto Rican and Jewish descent, transforming genetic data into colorful pie charts that call to mind hard-edged abstractions. Elsewhere, she embroiders vintage doilies with her own hair to depict the human body, as well as language that references the legacy of colorism and passing in the African diaspora. In the works debuting at CAAM, she addresses early global trade, the beginnings of commodification, and economic hierarchies by…
Sula Bermudez – Silverman: Neither Fish, Flesh, nor Fowl
The exhibit presents the artists’ personal and familial histories as a woman of Afro-Puerto Rican and Jewish descent, transforming genetic data into colorful pie charts that call to mind hard-edged abstractions. Elsewhere, she embroiders vintage doilies with her own hair to depict the human body, as well as language that references the legacy of colorism and passing in the African diaspora. In the works debuting at CAAM, she addresses early global trade, the beginnings of commodification, and economic hierarchies by…
Sula Bermudez – Silverman: Neither Fish, Flesh, nor Fowl
The exhibit presents the artists’ personal and familial histories as a woman of Afro-Puerto Rican and Jewish descent, transforming genetic data into colorful pie charts that call to mind hard-edged abstractions. Elsewhere, she embroiders vintage doilies with her own hair to depict the human body, as well as language that references the legacy of colorism and passing in the African diaspora. In the works debuting at CAAM, she addresses early global trade, the beginnings of commodification, and economic hierarchies by…
Sula Bermudez – Silverman: Neither Fish, Flesh, nor Fowl
The exhibit presents the artists’ personal and familial histories as a woman of Afro-Puerto Rican and Jewish descent, transforming genetic data into colorful pie charts that call to mind hard-edged abstractions. Elsewhere, she embroiders vintage doilies with her own hair to depict the human body, as well as language that references the legacy of colorism and passing in the African diaspora. In the works debuting at CAAM, she addresses early global trade, the beginnings of commodification, and economic hierarchies by…
Sula Bermudez – Silverman: Neither Fish, Flesh, nor Fowl
The exhibit presents the artists’ personal and familial histories as a woman of Afro-Puerto Rican and Jewish descent, transforming genetic data into colorful pie charts that call to mind hard-edged abstractions. Elsewhere, she embroiders vintage doilies with her own hair to depict the human body, as well as language that references the legacy of colorism and passing in the African diaspora. In the works debuting at CAAM, she addresses early global trade, the beginnings of commodification, and economic hierarchies by…
Sula Bermudez – Silverman: Neither Fish, Flesh, nor Fowl
The exhibit presents the artists’ personal and familial histories as a woman of Afro-Puerto Rican and Jewish descent, transforming genetic data into colorful pie charts that call to mind hard-edged abstractions. Elsewhere, she embroiders vintage doilies with her own hair to depict the human body, as well as language that references the legacy of colorism and passing in the African diaspora. In the works debuting at CAAM, she addresses early global trade, the beginnings of commodification, and economic hierarchies by…
Sula Bermudez – Silverman: Neither Fish, Flesh, nor Fowl
The exhibit presents the artists’ personal and familial histories as a woman of Afro-Puerto Rican and Jewish descent, transforming genetic data into colorful pie charts that call to mind hard-edged abstractions. Elsewhere, she embroiders vintage doilies with her own hair to depict the human body, as well as language that references the legacy of colorism and passing in the African diaspora. In the works debuting at CAAM, she addresses early global trade, the beginnings of commodification, and economic hierarchies by…
Sula Bermudez – Silverman: Neither Fish, Flesh, nor Fowl
The exhibit presents the artists’ personal and familial histories as a woman of Afro-Puerto Rican and Jewish descent, transforming genetic data into colorful pie charts that call to mind hard-edged abstractions. Elsewhere, she embroiders vintage doilies with her own hair to depict the human body, as well as language that references the legacy of colorism and passing in the African diaspora. In the works debuting at CAAM, she addresses early global trade, the beginnings of commodification, and economic hierarchies by…
Sula Bermudez – Silverman: Neither Fish, Flesh, nor Fowl
The exhibit presents the artists’ personal and familial histories as a woman of Afro-Puerto Rican and Jewish descent, transforming genetic data into colorful pie charts that call to mind hard-edged abstractions. Elsewhere, she embroiders vintage doilies with her own hair to depict the human body, as well as language that references the legacy of colorism and passing in the African diaspora. In the works debuting at CAAM, she addresses early global trade, the beginnings of commodification, and economic hierarchies by…
Sula Bermudez – Silverman: Neither Fish, Flesh, nor Fowl
The exhibit presents the artists’ personal and familial histories as a woman of Afro-Puerto Rican and Jewish descent, transforming genetic data into colorful pie charts that call to mind hard-edged abstractions. Elsewhere, she embroiders vintage doilies with her own hair to depict the human body, as well as language that references the legacy of colorism and passing in the African diaspora. In the works debuting at CAAM, she addresses early global trade, the beginnings of commodification, and economic hierarchies by…
Sula Bermudez – Silverman: Neither Fish, Flesh, nor Fowl
The exhibit presents the artists’ personal and familial histories as a woman of Afro-Puerto Rican and Jewish descent, transforming genetic data into colorful pie charts that call to mind hard-edged abstractions. Elsewhere, she embroiders vintage doilies with her own hair to depict the human body, as well as language that references the legacy of colorism and passing in the African diaspora. In the works debuting at CAAM, she addresses early global trade, the beginnings of commodification, and economic hierarchies by…