DCA Arts and Cultural Calendar
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January 2019
Gary Simmons: Fade to Black
Artist Gary Simmons references film, architecture, and American popular culture in paintings and drawings that address race, class, and memory. Much of Simmons’s work centers on his signature erasure techniques. Hours: Tuesdays – Saturdays 10:00 a.m. – 5:00 p.m., Sundays 11:00 a.m. – 5:00 p.m.
February 2019
Life Model: Charles White and his Students
Presented at the original Otis Art Institute campus where Charles White was the first African American faculty member, this exhibition illuminates the artist’s impact as a teacher. The show features artwork in diverse media and modes of expression, alongside sketchbooks, photographs, and archival footage that illuminate his pedagogy. The gallery is open to the public every Saturday afternoon from 1–4 pm
March 2019
Plumb Line: Charles White and the Contemporary
A prolific painter, printmaker, muralist, draftsman, and photographer whose career spanned more than half a century, Charles White’s artistic portrayals of black subjects, life, and history were extensive and far-reaching. Plumb Line features contemporary artists whose work in the realm of black individual and collective life resonates with White’s profound and continuing influence. Tuesdays – Saturdays 10:00 a.m. – 5:00 p.m., Sundays 11:00 a.m. – 5:00 p.m.
The Liberator: Chronicling Black Los Angeles, 1900–1914
The Liberator: Chronicling Black Los Angeles, 1900–1914 sheds light on the expansion of the city’s African American community, its challenges in a post-Reconstruction era, and its hopes and accomplishments, as captured in the newspaper’s pages. More than a century since The Liberator’s final issue, this exhibition includes rare ephemera, photographs, and artifacts that offer a unique study of the narrative of black Los Angeles. Tuesdays – Saturdays 10:00 a.m. – 5:00 p.m., Sundays 11:00 a.m. – 5:00 p.m.
Soul of a Nation: Art in the Age of Black Power 1963-1983
Soul of a Nation celebrates the work of Black artists made over two decades beginning in 1963, at the height of the civil rights movement. The exhibition devotes individual galleries either to groups of artists working in a particular city — with three galleries dedicated to artists living and working in Los Angeles – or to a different kind of art production. The exhibition showcases communities engaged in robust artistic dialogues, while also revealing disagreements about what it meant to…
April 2019
Contact High: A Visual History of Hip-Hop
Celebrating the photographers who have played a critical role in bringing hip-hop’s visual culture to the global stage, Contact High: A Visual History of Hip-Hop is an inside look at the work of hip-hop photographers, as told through their most intimate diaries: their unedited contact sheets. Wednesday – Sunday, 11:00 a.m. – 6:00 p.m.
June 2019
The RIDDLE Effect
John Riddle was an artist, curator, and teacher whose aesthetics focused on chronicling the history, struggles, and triumphs of Black life. Through figurative paintings and prints, small and large-scale abstract ceramic sculptures, and assemblage and iron works made from found objects collected after the 1965 Los Angeles Rebellion, this presentation highlights Riddle’s expressive practice, as well as the impact of his work and teachings on his contemporaries and the artists he mentored. Tuesdays – Fridays 11:00 a.m. – 5:00…
August 2019
Adia Millett: Breaking Patterns
Adia Millett cycles her imagery through a variety of media, including collage, assemblage, photography, textiles, and painting, creating multilayered representations of deconstructed structures and imaginary interiors that stand in for the human experience and provide a dwelling place for a black aesthetic. Tuesdays – Saturdays 10:00 a.m. – 5:00 p.m., Sundays 11:00 a.m. – 5:00 p.m.